Monthly Archives: July 2010

Fog Devils: Everyday Magic, Day 18

Last night, driving home late, we drove through what I’m calling Fog Devils (although I found on the web that they’re often called Steam Devils). Fog devils are tiny tornadoes made of fog, caused by very warm ground and cool air or the opposite. They’re quite similar to snow devils or dust devils, but we had never seen them before. We drove through dozens of them, some tiny whirls and others probably eight feet high, slim ropes of fog hanging in the air.

While we didn’t get a photo of them at the time, here’s something I found of fog devils on a lake. Living with such heat and humidity lately often doesn’t seem to have any benefit aside from helping us experience instant-sauna at regular intervals. Yet there are moments, like driving down country roads in the dark, when the magic comes out to play. Be on the lookout. Always

Death of a Kitten: Everday Magic, Day 17

At 1 a.m., I stood in the field with my family and a friend of my daughter’s (who was spending the night) in the middle of a kitten funeral for Sookie Bell, our teacup kitty. Earlier that day, I noticed how lethargic Sookie was, and yet at the same time, how happy. She slept in our hands and purred constantly. Worrying that she could be fading, I took her to the vet, where she seemed to liven up a bit, especially while eating some high-calorie, prescription cat food.

But come evening, she took to sleeping much more, and sometime in the middle of the grand finale of the kind of movie you don’t want to be watching when your cat is dying — 2012 (which our daughter said we had to see because the science was so bad and the special effects so good) — we realized she could no longer stand on her tiny paws. We stopped the movie and came upstairs where our family turned itself into a kitty hospice unit, brushing Sookie’s dry mouth with water, holding and loving her, talking to her, and watching her breaths get further and further apart.

After close to two hours, with Sookie lying in my hands and staring her beautiful blue eyes into mine, I realized her breaths were close to 12 seconds apart, and each breath a combination gasp-purr. Eventually another breath didn’t come. This is the same dying I witnessed in our cat Saul (who lived to be 20) and my father — so ordinary, so peaceful.

We found a taco shell box (family pack size), lined it with a soft towel, put Sookie in and covered her with a mini-kitty blanket (e.g. hand-made potholder) and carried her outside where Ken dug the hole, we placed her in, and then each told her we loved her and wished her well on her journey.

It’s hard to reconcile the sadness I feel, we all feel, with the reality that she lived with us for three days. Yet live she did, purring often and utterly delighted to have been taken into our home. She had been starving on the farm where she spent her life beforehand, maybe because the other kittens nudged her away from the food or maybe because she was born with a congenital defect. In any case, we fell in love with this tiny kitty, and we miss her terribly already. Rest in peace, Sookie. And traveling mercies to you.

Sew, Baby, Sew: Everyday Magic, Day 16

A day after Mark died, I went straight to Wal-mart (please forgive me) and bought a $69 sewing machine, one I’ve been considering for over a year. Faced with the danger, confusion, trepidation and fragility of life, all I truly wanted, besides cookies of course, was to move fabric swiftly under a rushing needle and connect one thing with another thing.

I used to sew about a lifetime ago. I started late in my teenage years, making a hideous bright pink sundress that stuck out funny and made me look like I was wearing an oddly-shaped fuschia paper bag. No matter, I kept going, but not one for measuring much and never good at following instructions, I mostly excelled in lumpy but innovative skirts, odd wrap-around dresses in bright purple, and occasional curtains, much of them made on an antique sewing machine that only went backwards, forward, and zigzag. After the machine broke, and my water broke — three times actually over six years — resulting in the accumulation of children, plus other sundry distractions of life, I left the machine to rot in the basement until I hauled it off.

Now I’m back in the saddle, happy with the click the bobbin holder makes when it’s snapped in place, the rhythmic buzz of the machine, my foot steady on the pedal. I pulled out a quilt I foolishly started to make by hand about a year ago when I got seduced one day at Sarah’s Fabrics, and zoomed it together in no time, and today, with the help of Kris, I found great material for the edge, the back, and a new pair of curtains. You can see the last pair I made hanging in the background, the last thing I put together by the grace of a sewing machine, about 15 years ago. My hands are happy, my foot is happy, and the colors and designs on the fabric glow with finding their home together.

My Kitten is the Size of a Teacup: Everyday Magic, Day 15

It was time for a new kitten because our youngest cat, Miyako, raised with her brother, a twin soul, who vanished a year ago, wanted company so much that she kept trying to play with Judy, our older cat, who suffers by PTSD. Besides, Natalie goes to college soon, and what better way to console myself than with a kitten? Then again, it could be time for a new kitten everyday if I just acted on impulse.

After finding out that our friend Audrey had 19 kittens to distribute, we headed into the wilds of Jefferson County last night and followed a small gravel driveway until I saw a slow-moving possum who simply turned, looked at the car, and meandered onward. I drove a few more feet and saw an giant raccoon standing on its hind legs, and heavens to Betsy, tons of kittens running all around him. I find it’s an advantage to get a cat raised by wild animals. Some of our favorite kitties came from similar origins: Lou was raised by chickens and Saulina by a water heater, and they turned out great (Saul even lived for 20 years).

So we got out of the car and sat down on Audrey’s porch where kittens raced over our laps and tumbled onto each other. It wasn’t hard to choose: Natalie and I have a soft spot for runts, and one little kitten was oh-so-little, in fact, more like the chihuahua of kittens. She came right to us and stayed. I tried to interest myself in the pudgy black and white bouncers, but we had made our decision as soon as we saw the runt. So we named her Sookie Belle and took her home.

Now we’re in another round of working with our existing cats to accept the newbie (letting them get close enough to hiss but not to attack) and helping the kitten bond with Mariah, our lab-mation (letting them touch noses but getting Mariah to lie down and not bang the floor so loudly with her tail-wagging). We’re also falling back into kitten love, a fast-moving and fleeting kind of sweetness that ends quickly and makes us long for the next time we can open our lives up to a new kitten.

My Field Got a Crew Cut: Everyday Magic, Day 14

Every year it happens: the large brome field surrounding our house gets a great summer cut. The guy who hays our field comes with his tractor, and over the course of an afternoon, the field goes from shoulder-length wild-child grass to a chic crew cut. Then the grass is corralled into long strips so it can be balled up into these massive haybales (about six feet high).

For me, the day of the crew cut feels like a clearing, making space for what comes next even, if it’s just big balls of hall. In a similar way as our April burning of the prairie feels like a rite of passage, so does haying time. The bales, especially in dim light, seem like animals grazing in the freshly-cut field, and the real animals — turkeys and deer mostly — come out to investigate soon after the tractor leaves. The cycle of the farm continually reminds me of change, impermanance, new life. Somewhere a cow will eat this hay on the other side of the seasonal wheel, deep in winter. Right now, the open slate of the field gleams in the 95-degree wind.

Writing Into Mortality & Beyond: Everyday Magic, Day 13

Today I had the joy of facilitating a mid-summer writing retreat for people living with serious illness at Turning Point: The Center for Hope and Healing in Kansas City (actually Shawnee Mission, KS). While this is something I’ve been doing  for years, each time is new, giving me a front row seat to witness courage, curiosity and the power of how we create (even and especially in the face of mortality). Many of the eleven people who participated are carrying long-term progressive illnesses or stage four cancer diagnoses, years of trying one new medication or another, weeks that stretch into long deserts of moving through chemotherapy or grief, and other assorted hard stuff. One woman just lost her beloved to late-stage cancer two weeks ago; another balances late stage cancer treatment behind her and heart surgery ahead of her; yet another watches her strength and balance ebb and flow due to Parkinson’s.

Whatever the story, it’s a story about facing mortality: our own or our loved ones. As such, it’s a story about loss and grief — even if we’re lucky enough to only lose a few body parts and a false sense of immortality. It’s also a story of the joy found in being present for whatever everyday magic life gives us, whether it’s a glimpse of a red bird singing to one woman from a rooftop, reminding her someone is watching over her, or a hanging out at a family beach party for another woman, a welcome respite from cancer treatment.

In these workshops, I use writing prompts that aim us not so much toward the hope of returning to the old life, pre-illness, but the hope of finding meaning, connection, love, acceptance and strength in the current life. This necessitates also facing, and sometimes writing or talking through, the times meaning evaporates, connections dissipate, friends and families don’t know how to show their love, and it’s hard to not feel betrayed, weak and lost. I tell the people in such workshops to try to cultivate an attitude of curiosity and kindness for whatever comes up in their writing, to treat their responses or even moments of not being able to respond as they would a dear friend. I also encourage us to witness each other: listen carefully. In doing so, we open the ears of our ears and then can better figure out what our own lives are saying to us. I also bring snacks, and today, that included cherries because even if life isn’t a bowl of cherries (or a chair of bowlies as Mary Engelbriet writes), we can still find sweetness that replenishes and nurtures us.

We laugh a lot. We cry (and always, there needs to be a handy tissue box). We talk about struggles, breakthroughs, fears, and great loves. Yet I’m also amazed by how quickly people make a circle of support together, offering each other not just resources, but a kind of understanding that helps everyone in the group look into the issues tipping out when their mortality is stirred. In these workshops, we often speak of how to live, especially when the days are numbers and yet no one knows what those numbers are. There’s something about facing the hard stuff of life, whatever it is, that rips the veil of whatever-ness off, and lets us see clearly what matters, who we are, and how to live.

Photos from workshop used with permission of participants. For copy of My Tree of Life: Writing and Living Through Serious Illness, a book I edited of past participants’ writing, go to the Turning Point store. I also encourage people with serious illness or who are caregivers in the Kansas City area to check out Turning Point, make contributions, and/or take some classes. See a blog by one of the class participants.

Life is Dangerous: Everyday Magic, Days 11 & 12

That’s all I could think yesterday as I watched friends and my husband carry Mark in his cardboard casket, complete with farewells and love notes we all wrote on it, toward the hole in the ground. “Life is dangerous” continued to put out alerts in my mind throughout the small ceremony that morning at the edge of the woods where the green cemetery began while I stood them next to my crying daughter and surrounded by about 100 of Mark’s friends and family. Later, I felt the samething back at our house where we hosted a post-burial potluck while I sliced giant cucumbers from the garden or mixed up more limeade. I was so struck by this sense of danger that I had a hard time making conversation, staying on task or even staying awake.

Late afternoon, I still was overcome with that shaky feeling so I did the only sensible thing I could think to do: I went to the movies to see “Toy Story 3.” First, I got the mail, in which my daughter received her roommate assignments for college, which suddenly emboldened the “life is dangerous” mantra: she was really leaving, and although I was thrilled for her new adventure, I also knew how this too would feel like a loss at first, maybe already. Then I drove through a hell of a thunderstorm, running through the theater parking lot with thunder behind me. The movie itself was excellent, but its theme was, no surprise, “life is dangerous”…..for toys, and humans. Life involves change, loss, new beginnings, no control and the gifts that come when people want to play with us again.

Back home, late at night, lying in bed still awake, I felt that trembling unpredictability and tried to reason it out. In so many deaths of friends and family, I could rationalize, tell myself this person was ready, it was his or her spiritual path, the time was right, the suffering was over. But with Mark, all I know is that he was pretty darn healthy for a 77-year-old year, excited about getting his knee replaced and had a lot more mileage in him. I can’t find a reason or way to put this to peace.

What I have found this day is the light of our community being together in this dangerous knowing, the changing sky that brought a long-awaited storm, and how the roses a friend gave me to acknowledge my grief are now opening wide. Angels are terrifying and beautiful, Rilke wrote, all at the same time.

Death and Cottonwoods: Everyday Magic, Day 10

I sit on the back deck in the sun, shade and wind. All I hear is the cottonwood, tall and leaning a little toward the house, the leaves half green, half shine. To my shame, I must admit that in my mind I hear the song “Honey” recorded by Bobby Goldsboro in the 60s (voted on CNN as “worst song of all time”) and its lyrics of “See the tree, how big it’s grown/ But friend, it hasn’t been too long, it wasn’t big.” The song came out in 1968 when I was eight, and I thought it was the best thing I’d heard, excluding all recordings by the Monkees.  And no wonder: this cottonwood volunteered up when we moved here 15 years ago.

I’m digressing, but then again, death will make a gal do that. Mark is gone, and just today I got word from one of my closest friends that her mom, also my friend and a exquisite landscape painter to boot, died after outliving her cancer prognosis by years. One of Joan Foth’s paintings wraps around my book The Sky Begins At Your Feet, but most people know her work from the cover art for William Least-Heat Moon’s Prairyerth. She had a way of seeing the sky particularly that changed how I now see the sky, especially when I’m in the mountains. Joan pointed us toward the horizontal stretches that reach across ranges of rock or the tall expanses of color and movement towering up from the Flint Hills.

What moved me the most, though, was what Joan and I talked about a year or so ago on the phone: the birds and the trees, the wind and the sky — what you can see right out the window when you stop enough to look. She was positively ecstatic about watching, which was a bonus for her in her final years when moving and doing weren’t so easy. The more you watch, the more you stop seeing what you expect and start expanding your perceptions beyond the confines of your thoughts and thinking.

So today, I’m watching the big cottonwood, the wind coming in waves, and the biggest waves so loud and so light-dappling that I can only look up in awe and let it sweep clean whoever I think I am. I’m also saying to both my friends, Mark and Joan, and with no disagreement that “Honey” is probably the worst song ever written, “Honey, I miss you.” Already and always.

Photos: top one is the base of the cottonwood early one spring, middle is my book with Joan’s painting, and bottom is Joan’s painting, “The High Road.”

Mark is Gone: Everyday Magic, Day Nine

“hard to write this    Mark Larson died    blood clot after surgery     tears  db” — that’s what the email said, coming from my friend Danny to the Kansas Area Watershed Council listserv at noon today. I was sitting at Signs of Life, in the middle of a serious multi-tasking frenzy, when I was stopped stunned in my tracks. I did the only thing I could think to do: pack up, walk to the car, and drive to Danny’s so we could look at each other and ask how this happened, how this could happen.

I met Mark over 28 years ago through KAW and he’s been a steady part of my life ever since. Mark and I ran with the same pack to and through potlucks, campouts, presentations, workshops, protest marches, heart-to-hearts and more potlucks. We sometimes had a complicated friendship in the early days — seems my New Yorker sometimes hard-hearted 20-something-year-old self clashed easily with his farmboy-quiet-sensitive 40-something-year-old self. Once we even tried to share a house — he wanted companionship, and I needed a roommate. It was a disaster, but at least a short-lived one, and time is a great equalizer.

We connected mainly through bioregionalim, poetry, and occasional forays into rich desserts. He knew our children from birth onward, and although they scared him at times (scared me, too), he gave them enough benefit of a doubt to enjoy good talks with them every so often. He even knew our families of origin. In  recent years, Mark was always at any party, bat mitzvah, graduation celebration, walkabout and whatever else we hosted, and occasionally, he even dropped by on a Saturday morning to sit in our living room and visit. What I liked most about conversations with him is how he often used the phrase, “Say,” as in “Say, did you happen to see….” I find that phrase as charming as “right as rain.” Mark was kind of like a relative — a cousin who lived in the same town. I’ve had his phone number memorized for close to three decades.

Eventually, all the veils are lifted, and we start to see glimmers of who we are beneath who we think we are or the other is. Mark loved gardening, writing and reading poetry, studying nature, working for justice, being heard and helping others hear, and his little dog, Felix. He was frugal to the point of outrageousness, dogged about standing up for those with no voice, and steady presence in many groups and many circles. He could sit through meetings with the best of them and put together potluck dishes from the garden and what he salvaged. Although a relatively quiet person, he thrived on being around people and being involved in the community.

While it’s obvious at this moment how much I took for granted that Mark would be around for a long time longer, it’s also obvious how little we can see who will die when and how. Mark was probably about 77 or 78, but seemed younger. He was pretty healthy, walked a lot and wanted to walk more — which is what led him to the hospital to get his second knee replaced on Monday. No way of knowing that on Tuesday a blood clot loosened by the surgery would cause him to have a heart attack and die.

Meanwhile, my child-mind struggles with its little explanations of “Why do people keep dying?” while my elder-mind answers, “Because this is what life does.” I stared mindlessly into space, mis-hear “meth addicts” as “methodists,” eat too much or too little, can’t work or can’t stop working, all as ways to cope with what I can’t fathom. Mark is gone. And he won’t be back.

Photos: All are on my computer from years of knowing Mark. Bottom photo is most recent: Mark at Natalie’s graduation party in May, 2010, talking with Gary.

Orange Sky & the Ways of Orange: Everyday Magic, Day Eight

After the storm last night, which exploded 3.5 inches of rain from the sky in less than a few hours, I saw something I had never seen before: first a certain shade of gold banking the horizon, and then a deep orange, lit from within. The colors were smooth, watercolor saturated, filling the western sky under the wide lifting of clouds.

We ran out to the deck to watch, the rain still falling lightly around us, the air newly-cooled. “Look,” Ken said, pointing to the south, where we saw a sliver of rainbow, the sky through it darkening but still tinged with light.

I remember a student I had at Goddard who deeply valued the color orange, telling me it was the color of creativity, surprise and magic. Through her eyes, I’ve come to look for orange more, whether it’s the orange rounded fox in the firefox icon on this computer’s desktop, an orange shirt I see a friend wearing at the food co-op, or those lanky lilies crowding through weeds on the roadside. I’ve been learning the ways of orange, how it generally adds imagination to any setting, showing me something I didn’t expect and opening my mind to what can come at any moment. Like last night when an orange sky welcomed me home to where the storm ends and night begins.