Monthly Archives: February 2011

“Cinderella Can Itch If Not Sweeping”: Everyday Magic, Day 221

When I arrived home from Vermont, I saw a small stack of hot pink books in Indonesian sitting on the counter. Turns out Daripada Bete, Nulis Aja! is out — my book Write Where You Are – in yet another Indonesian edition despite my American publisher having dropped the book years ago. So the other night, Ken and I started plugging Indonesian reviews of the book into google translator, and this is what I discovered:

  • “Cinderella can itch if not sweeping”
  • “Initially looked like ordinary writing guidebooks, with typical crisp style dialogue among adolescents. But the start of chapter 6, precisely the section 3, I feel ‘slapped’ in particular about the revision. Sentences are always ringing: people like you not because of your writing, and vice versa.”
  • “Investment securities, because the purchase price of ten thousand just in the stock discounts and can banyaaak science.”
  • “Books that my sister recommended it, made me rethink that writing was not only futile activity which is not endless, is a great mistake!”
  • “Who knows, you could be like a Goddess “Dee” Lestari increasingly shines with his Supernova.”

It’s one thing to hold a book you wrote when you can understand the words. It’s entirely enchanting when you can’t. Yet whatever it now says, the Indonesian publisher knows how to run circles around my American publisher of it when it comes to marketing, focusing on how teens can use writing as an emotional and artistic practice, which has always been my intention.

The last time a new edition came out, letters and emails wove their way to me, often beginning with “Dear Sir” from Indonesian teens who love writing, have great stories to tell, and just need the chance to be heard. Some might think Cinderella is sweeping off her itch, but most get how writing can keep them connected to their voice.

Red-Winged Blackbirds in a Field of Snow: Everyday Magic, Day 220

The birds woke me up, hundreds of them, so many and so surprising that I thought they must be overflow from a dream or a recording Ken was listening to in the other room. But when I looked outside, I saw the giant swarm of red-winged blackbirds — one of my favorite of all the flying beings — filling every branch in Cottonwood Mel as well as ground they pecked bare below the bird feeder.

Where did they come from? Where are they going? I don’t know, but watching them dive upward, circle down to the feeder, then flutter back to the tree, I aimed my eyes toward their red wings against the iridescent black against the fields of snow.

Turkeys were also there, checking otu the compost pile

In little time, the large feeder was empty, and Ken cajoled me to step outside in my slippers and refill it. Of course just opening the door made them scatter at high speed, and I think that wearing zebra-print pajamas probably didn’t help them feel too welcome to return in a hurry, so I went back in once my mission was accomplished and watched. Our regulars — the pushy but elegant cardinals, intrepid chickadees, flashy red-bellied woodpeckers, and sweet but nervous juncos — returned, used to the human-bird feeder routine. They rushed in full force, getting all they could, and keeping a scared eye to the sky.

First one red-winged blackbird returned, an early scout, then we saw about three. Within a few minutes, there were a dozen, and soon hundreds poured back in, freaking out the littler birds but eventually settling into a pattern. First the red-winged blackbirds rush the feeder in groups in 4-7, and after a bunch of them had their fill, they moved onto the cottonwood. Then the little birds made a run for it, doing their usual mid-air jostling on occasion. Cardinals every so often, as they are prone to do, crashed into our windows, cats on the other side making their strange eeking sounds (as in, “This is the best movie I’ve ever seen”). And the humans watching it all — this glimpse of spirit on the wing — took pictures, pointed, asked questions and followed the line of the flock from feeder to cottonwood to long slope over the snow-fog sky to wherever they go next.

Snow to Snow Travel, Night Clouds & Snow Fog: Everyday Magic, Day 219

What I left: Goddard College yesterday

Close to 3:30 Vermont time, I walked into my home after a somewhat harrowing 30 mph drive on snow-packed roads from the airport (and that, after a long delay). “Yes, you should have stayed in a hotel by the airport,” Ken told me, but once he aimed his mom’s 4-wheel drive toward the airport, he figured he might as well keep going.

The snow in Vermont has been falling steadily all day, and according to one of my students just leaving campus, all is quiet and still. The snow in Kansas has stopped — at least for a while — until the freezing rain, snow, and eventually a thunderstorm envelop us this weekend.

What I arrived at: Kansas today

Betwixt and between, I saw 36,000 above the earth in a speeding bullet of a tiny plane, marveling at the stars, and then as we descended, the layers of cloud that finally unveiled base-ball-diamond-shaped orange glows in long lines, sometimes straight and occasionally curving. The shapes morphed to crescents or triangles, depending on what the filmy clouds revealed, and eventually, I saw that this string of lights wrapped around the earth were street lights.

Now my home holds me in its glowing palm. I lean back in gratitude.

Suspended Animation in Cleveland: Everyday Magic, Days 217-218

Cleveland, nothing against you, but I don’t really know you, and sitting in this airport for hours isn’t helping the matter.  I’ve watched the little chain restaurants and bookstores roll down their doors and lock their gates while I’ve surfed weather, road conditions and Continental Airline sites in the quest for home: Will a plane arrive here to take those of us sitting patiently at gate C29 home? Will the wild and big snow falling in Kansas City prevent us from landing safely? Once landed, will Ken be able to drive safely on snow-packed roads to get me or is a surrealistic night in an airport motel my destiny?

This whole travel twirl began fast and by surprise. I woke this morning thinking, “Sure would be nice to go home today instead of tomorrow, and I bet I could pack my suitcase in 10 minutes.” This wasn’t because I don’t love my job, fellow faculty and students but simply because of homesickness. I walked to the community building to meet with students, only to have sudden slips of paper delivered to me: our residency — which was to end tomorrow after meetings, workshops, and our cabaret — was ending today because a large snow storm was racing toward Vermont. In 16 years of teaching at Goddard, this was a first for me, and after my meeting with students and 40 minutes on the phone with a lovely airline representative named Lauren, who is now my new best friend, I was booked to fly out today.

Fast forward to ten hours later: It’s 10:55 p.m., and my plane was delayed three hours because of a technical glitch. Behind me in Vermont, snow. Ahead of me in Missouri and Kansas, snow. Between it all is here and now, watching weary travelers disembark the tiny plane I’m about to board, wishing above all else, for safety for all and somewhere at the end of this rainbow of snow, a good night’s sleep, maybe even (I hope) in my own sweet bed.

Loving Gravity

Cheryl Unruh in her wonderful website, Flyover People, wrote a feature on Kelley Hunt, who I co-write music with, and Kelley’s new CD, Gravity Loves You. Take a look (and listen) to what Cheryl shares about music that not only loves and celebrates gravity but how to fly a little too. You can also hear Kelley sing and talk about one of our songs, “These Are the Days” right here. And read a longer piece about our collaboration at Worlds of Change.

The Office Is Quiet & The World Is Calm: Everyday Magic, Day 216

When did I wake up? A long, long time ago when the alarm went off. And then? It’s hard to remember, but so much: advising group with my eight marvelous students, individual meetings with students, a quick lunch while discussing consciousness practices and potato chips, a short meeting with people at the college about the Goddard blog I do, a longer meeting with fellow faculty that included passing arouns a plastic bag of chocolate balls, more meetings and intense talks, a workshop I presented on mythopoetics and changing our lives, a long stretch of individual meetings with students that morphed into meatless Monday’s dinner, and eventually eating applesauce with a fork while sitting at this desk. Over the course of the day, I’ve conversed deeply with people about peace, language, our innate goodness, the stifling conditions of culture, myth and poetry, trauma and wholeness, self-care practices, spiritual and ecological education for adults, the work of the faculty council, how good the sweet potato soup was, and the difference between therapy and art.

Some of the students the didn't speak with today (but did obviously take their picture)

This desk? It’s in room 202 of the Community Building, where my office has been for over a decade. Facing south with no shades, it gets so hot in the afternoons, even in subzero stretches, that I have to open the windows, and the computer is often broken, making loud wailing sounds or moving slower than frozen molasses. Yet it’s my room, my little home of work and talk and heart and soul, a place often buzzing around me as I keep listen to people tell me of work they’re doing that is changing everything.

Now the office is quiet. There’s nothing left to do for the day, except exhale a little more slowly, feel the slow fatigue in my eyes and the great comfort of the chair. The world is calm for a few moments, and I return to myself, satisfied, tired, grateful.

After Falling Down the Rabbit Hole: Everyday Magic, Day 215

After a few days at the residency, we’re firmly down the rabbit hole, burrowed deep and low in this parallel universe that’s reignited — much like Brigadoon — each time we return. Occasionally, I hear people standing outside the rabbit hole, saying words such as “Obama spending cuts” and “Wisconsin,” but for the most part, I can’t and don’t pay that much mind. I’ve deep in the dark openings beyond reach, explaining what study plans, making jokes about how Ralph and Francis are beginning to look like each other, and racking my little brain to explain how to merge transdisciplinarity, the notion of a gift economy and strong-enough coffee to stay awake for the next thing.

Residencies make their own magic, and I would even say their own reality except this reality is quite real: what happens here is a thunder of pebbles dropped in the center of people’s inner deep-forest ponds. The ripples go on forever. There are fierce and tender talks to be had, understandings to be garnered, hugs to accept and give, meatless Mondays to meander through and occasional singing from just out of view when walking up hills through the hard-driving snowy wind. The winter residency particularly brings me down into a cozy space of contemplation, connection, confusion and coexistance.

The conversations I’m enjoying in this rabbit hole with students and faculty often concern sleep (which it’s hard to get quite enough of when our minds are buzzing and hearts are zinging), health (ditto), and what we need to learn or unlearn to fulfill the call of our passions. The wind roars, the sun shines surprisingly, the snow falls, and I crawl in deeper to see what I can see in this old cave, a kind of tribal return that will, eventually, lift me up to the surface in about a week, right into the lap of a taxi and then onto the plane where I’ll be zoomed out of this rabbit hole and back to the above-ground expanse of my life.

It Might As Well Be Spring: Everyday Magic, Day 214

A steady bright rain falls past all the windows as the bright blue of the sky shines through. It’s 58 degrees and February in Vermont, and this thaw day is melting the icicles that cling to all these buildings while the tall pines and firs sway in a spring-like breeze. The residency where I teach in the Individualized MA Program has started, and everyone I meet is giggling, throwing their arms around someone (and sometimes me), and shaking their heads in wonder at the weather and at being here.

Maybe it was our opening session when our program director declared, rightfully too, “We now know the faculty is totally nuts” while we laughed almost off our chairs. Maybe it was my student from last semester, Kao, singing out Kelley Hunt’s song, “Breathe in. Breathe out” at the opening session. Maybe it’s just that sense of arrival, all of us getting buckled in for the journey that will take up through the mountains of what we want to learn most and how best we can find out for ourselves what it all means. But whatever is happening, I’m caught up in the the giddy, springtime clearing of this moment, especially since I know snow and long days, too much coffee and not enough deep sleep, is on the hoof.

Sitting around the round table with my students from last semester speaking of what the last half-year’s turnings have brought us, I’m landed right in the center of this gratitude, this love for being alive and able to walk cleanly in the sunlight, this gift that keeps giving more of itself as I look toward the trees and falling water, the sky dimming at the edge and the beautiful faces, the world as it’s actually happening.

Alchemy, Art and Knowledge That Matters and Connects: Everyday Magic, Days 212-213

Danielle Boutet, an old friend and former Goddard colleague, returned to the college this week to talk with our faculty and students about knowledge that makes sense, means something, and connects us to ourselves and the world. Furthermore, this kind of knowledge isn’t so much in librairies and research papers, but is embodied in knowers. “We all have knowledge inside, and (learning) is a matter of clarifying it…..I don’t know any knowledge that isn’t in a knower somewhere.

Teaching at Université du Québec à Rimouski, she works with undergraduates and graduates, encouraging them to find this knowledge. In her previous shape-shifting ways, she served Goddard as a student, faculty member, founder and program director of the MFA in Interdisciplinary Arts, and academic dean, continually looking at epistemology — how we know what we know — and transformative practices, particularly as they relate to the arts, that transform the artist through the process of creation and discovery.

Danielle contextualizes transformative practices by looking at third-person, second-person and first-person research and knowledge. Most traditional academic fields focus on third-person research: finding out what people think, know or do on a particular topic, compiling and analyzing data. “In my own world, I have this huge criticism of the scientific paradigm and third person research and knowledge that can be stored, that can be written down, that can be transmitted,” Danielle explains. Instead, she recommends looking at what you want to know, why it’s important to you to learn this, and what it means to you — first-person research — as well as what/who you are in relationship to, the conversation between you and this other, and what happens in the space between you — second-person research. One of the writing prompts she often employs is “Je souviens…” — “I remember…” — to help people bring to the page what they’ve lived.

“The knowledge that we’re looking for is the knowledge that really informs the world, and informs our lives,” she says. “The key sentence I give to all my students is, ‘There is no knowledge without the knowledge of knowledge.’”

As an artist, scholar, musician, composer and writer, Danielle thinks in terms of alchemy: “A way of knowing that uses matter and material transformation as a way to know things. It cannot be abstract. It has to be felt, it has to be experienced….It is this notion of art as a way of knowing that I’m always after.” She explains that the origins of art as a way of knowing go back to the first humans and our inate intuition. “If we go back to 100,00 years ago, the Neandrethals had the belief there was something else [besides what they could see], a whole theory of art based on the belief in the invisible….They had the intuition that there is something to be read in what they see. If they see charred bones, they’re looking at them and thinking they must say something. That intuition has been with human beings throughout the entire history. That’s the connection with the sacred.”

How this translates into today? “We ourselves collect an incredible archive of knowledge, and it has relevance in the world.”

To learn more, read Danielle’s excellent essay, “Epistemic Companions: Art and the Sacred.”

Sweet Dreams from Vermont: Everyday Magic, Day 211

Outside, half-way up a mountain in Vermont, the thaw day turns into a freeze night with temperatures making a run for the single digits. The snow melt on top of deep snow turns to ice beneath the new flakes falling. Inside, the rocking chair where I sit faces an artful old lamp in the middle of a triangle-shaped room at Sara & Joseph’s home, an A-frame cabin with added-on rooms up and down, wide and deep.

Dark fills the windows, wind calls around us, and the wood stove in the basement sends up and out its steady hot breath. I listen to the quiet between wind gusts punctuated by occasional wind chimes, everything so peaceful after our wonderful meal of champagne, borscht, chicken and vegetables, and oranges. Gratitude rocks with me in this chair, a special award given to Joseph to honor his many years working with vision and heart for peace and justice. I am grateful to these friends and the years of such dinners we’ve spent in this living room, talking about our lives, how we’re really doing, the sorry and hopeful state of the world, and of course, the weather. No surprise that Vermonters talk as much about the weather as Kansans, but as I told Joseph, I wouldn’t trust people who don’t talk about the weather since weather tethers us to where we are.

I feel so at home that my mind can’t grasp how I woke up in Kansas this morning, stepping outside with only a sweater, wishing the kitties and dog goodbye, to come here.  Taxi to airport to plane to terminal to tunnel to other terminal to other plane to taxi finally deposited me where the snow and land climb high but the people seem the same (except wearing more layers).

Now it’s time to dream my Vermont dreams, probably of Kansas, just as I often dream of Vermont in the weeks after I land back in Kansas. Two places sharing space in my sleep just as they do in my heart. Wishing all of you your own sweet dreams wherever you land or travel.

(Note: The rocker is a Vermont Folk Rocker, and it is the most beautiful rocker I’ve ever seen.)