Category Archives: Magic

Brave Voice’s Round Rainbow: Everyday Magic, Day 703

IMG_0328At Brave Voice last week, we sung a new song repeatedly, a signature tune for the week:

A round rainbow is called a glory.

What you survive in life is called a story.

You only see the arc of it after the storm.

To see the whole miracle, you have to hold on.

The workaday miracle is where you belong, where you belong.

The story of how this song came to be may be a pebble in the ocean of the story of where this song is going, now that it’s inscribed in the memories and hearts of all of us who took place. But the song came in a miniature miracle kind of way: several week ago, watching Kelley Hunt perform at the Dakota in Minneapolis  I couldn’t help thinking of one word repeatedly: miracle. It’s a miracle she gives us this life-lifting music, and it’s a miracle that so many of us who create in any form for 376920_10201106479481349_1759454154_na living/for a life find sustenance for our art in this culture. But we do, and it kept coming to me that this was a workaday miracle, the kind you help to unfold word by word, note by note.

On the way home from Minnesota, Ken took a photo of a round rainbow with the shadow of the plane in the center of it. I posted it on facebook, and past Brave Voice participant Sandy wrote that “a round rainbow is called a glory.” Both Kelley and I emailed back and forth about that line, the photo, and the idea of a new song that encompassed all this.

A day later, I was walking the dog when we both got tired. I sat on the gravel driveway with Shay, and I began singing quietly, not really paying attention to myself. Shay cocked his right ear and leaned in. Soon I realized, I was singing “A round rainbow is called a glory./ What you survive in life is called a story…” and the rest of the song. I soon went to Kelley’s house, sat with her at her kitchen table, and sang this. “I think it’s the chorus of a song,” I told her, but she told it would work beautifully as a little song. Within a few hours, she found/created several other parts, mostly comprised of stretching the word “glory” into beautiful arrangements. We decided this song would travel with us to Brave Voice, but once there, Kelley found some verses to grow this little song.

401952_10201113625019983_517343383_nOn Tuesday morning, Kelley led the group singing in three-part harmony to this little but mighty chant, and on Wednesday evening, we ended our performance with the fuller song, complete with breathtaking cello playing by Teresa (one of the BV partipants) before surprising everyone with the chorus they all knew by heart. The song itself became a round rainbow for all those present in that moment.

Singing this song with others all week, by myself while walking across the prairie at Brave Voice, and in my mind as I fell asleep many nights, I feel its power seeping into me with each repetition. The glory of the workaday miracle is where we belong.

Top photo by Ken Lassman; other photos of Brave Voice by Dianna Burrup.

Riding a Reese’s Peanut Butter Cup Into the Sunset: Everyday Magic, Day 699

photoThe end of poetry month, my poet laureate term, our kids’ tenure in public schools, our daughter’s college degree, The Divorce Girl tour, and what else can I put on this pile? Winter might seem a likely choice, but given the snow in our forecast, better wait on that. In any case, this is a time of finishing many phases, projects, experiences and adventures, so it makes good sense that I get a car (even if I’m the one, with my husband, who got me the car), and that it looks like a giant Reese’s peanut butter cup in box form.

“How many cars did you go through during your poet laureate term? Three? Four?” Shawn asked me during the last poetry caravan a few weekends ago. Actually just one, and I’ve been going through the Toyota Sienna, aka poetry-mobile, for many years, first using it to haul babies, then random couches found on curbsides, small trees, thousands of bags of groceries, rafts of teenagers, hundreds of pounds of recycling, many trays of basil to plant, lots of relatives, and bevies of poets. With 216,000+ miles, it still has life left in it, but that life is now mostly for Forest as he starts college. It was time for a vehicular life transition for me.

What surprised me was how fast it happened: I kind of knew what I wanted, something a bit smaller than a van but not too much, with lots of room for hauling stuff I find here and there, and it had to come in a great color. We spotted a 2004 Honda CRV for sale at our favorite dealership in town for just the price we wanted and with less than 50,000 miles. We test-drove Mon., had it inspected by our mechanic Tues. morning and bought it Tuesday afternoon. It was mercifully easy, in great part because from the moment I sat at the wheel, I knew this was my car. Maybe it’s the shimmery gold exterior (I’m also a sucker for bling) or the chocolate interior (and I love chocolate even more), but it just

Out with the red and in with the gold

Out with the red and in with the gold

felt like home, or home moving down the highway at 60 mph. Besides, as Kris said, it looks like a Reese’s peanut butter cup, and there’s nothing wrong with that.

Although I’ve been on the road all-too-much for the last year, I feel ready for a different kind of road trip now, one that brings me into more spacious scenery with more time to take it in. I’m also ready to drive home repeatedly with gratitude in my heart and a shimmering gold hood leading the way.

The Music Is Back, The Mystery Remains: Everyday Magic, Day 697

Today the music returned. A cannister with about two dozen yoga class mix CDs that I painstakenly made on my old computer showed up right next to the CD player in the yoga studio. Had it been here all along? No, it had not. It also hadn’t been anywhere else in the studio that I could discern, nor in my car (which I took apart, not an easy thing with only one door that opens properly and three rows of seats to climb over and under) or home (even more challenging given all the stuff every which direction). I had looked for this little cannister for weeks upon months then gave it up for good. I imagined the cannister falling soundlessly out of my car one day and rolling down I-70 toward better adventures that being the soundtrack for my weekly yoga class.

The business of making yoga class mixes takes time and inspiration for me to bring the right balance of bass-infused chanting, Celtic ballads, jazz standards, a good helping of Mary Chapin Carpenter and Eva Cassidy, and a perky showtune thrown in for good measure. Still, I couldn’t help but mourn in miniature the loss of some inspired moments when great songs I couldn’t remember led to other great songs I couldn’t remember. I told myself that eventually I would squirrel myself and this computer beyond the time-space continuum to recreate many more yoga mixes for my classes. Eventually come spring to be more exact.

It’s come spring, and today as I put down the new cannister of yoga music (which somehow is also holding 9 CDs full of Springsteen mixes for long road trips), I saw the old cannister. “Where have you been?” I started to ask, then realized I didn’t actually need to know. The music rolled away, and now it’s returned. As I slipped an old friend CD into the player today, I reveled not only in the deep river voice of Mary Fahl, right before a Krishna Das chant, but in the mystery of lost things returning.

Surprises Between the Surprise Snow & the Expected Snow: Everyday Magic, Day 686

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Hard to see, but surprise snow is falling thick through the windows of Signs of Life, a bookstore/cafe where I hang out

Yesterday it was supposed to be in the mid-50s and raining. Instead, it snowed: big flakes, some the size of silver dollars but oddly enough, shaped like small falling postage stamps. Tomorrow it’s supposed to snow and sleet.

Usually, at this time of year in Kansas, we’re planting potatoes and complaining about how warm it is already, and if it’s like this now, what hell will summer bring? Unfortunately, we often end up all too right about summer (especially last summer).

But this late winter and early spring cusp is the cusp of surprise. Yesterday, for no apparent reason, I broke out in hives, and have since been steadying myself through recovery on lots of over-the-counter medication, coffee, tea tree oil (externally, not internally) and naps. The dog also surprised me by learning how to open cabinets with child-proof, but alas, not labaraner-proof, locks. Some plans have shifted but worked out regardless. I met friends for a last-minute lunch date, and the gyro meat was surprisingly good. And surprise of surprises, an airline offered cheap rates with direct flights when members of my family were ready to book trips to see Natalie graduate in St. Paul in April. I’m now watching a romantic comedy about the end of the world, and it’s surprisingly good (check out Seeking a Friend for the End of the World).

Surprises abound. From the sky, across the internet, through the screen and the skin. Because they’re surprises, there’s no way to prepare for them. There’s the snow behind, the possible snow ahead, and right now, from the TV set, a great rendition of “This Guy’s In Love With You.” The more I surrender to such surprises, and remember to both breathe steadily and take antihistamine every four hours, the more surprises more than suffice.

Playing It Forward: Everyday Magic, Day 682

DSCN0891It was a watershed moment for many who performed, and one of the glories of our lives for Kelley Hunt and me, who co-facilitated a series of workshops culminating in a coffeehouse of wonder – “Play It Forward,” a program envisioned and put into reality by the wonderful folks at the Lied Center of Kansas.

DSCN0799We began close to a two years ago, meeting with Karen and Anthea at the Lied Center to talk about what might make for a great collaborative community education program, particularly because the Lied has been bringing in premier women performers — Suzanne Vega, Regina Carter, Ragamala Dance, and Nnenna Freelon – for a year-long program called Play It Forward. One idea sparked another, and Kelley and I came up with a program to help writers and musicians come together, bring more of their courage, creativity and vision into play with each other, and from there, create poems, stories, essays, songs and more they could play forward at a community coffeehouse.

We met the 29 wondrous souls who signed up in October for the first all-day session, saw them again for another day DSCN0826session in January, and this past Saturday was the Play It Forward Coffeehouse (after afternoon consulting sessions to help prepare people). Each session was a tapestry of humor, art, surprise, connection, delight and depth, some of our participants driving in from as far as Carbondale, IL and Lincoln, NE for our time together.

As for the performance, afterwards, we were joking that we saw just about every kind of performance but burlesque. People shared songs drawing from folk, rock, jazz, blues and even country traditions. Writing included poems (even some awesome alphabet poems, each word consecutively beginning with the next letter in the alphabet, such as, “A boy, comma….”), stories, essays, mDSCN0936ixed genre and memoir. There was even one performer, Maria, who shared paintings, yoga, prose, singing and piano, and this was all done, as all the other 20 performances, in 3 minutes or less. We heard about train whistles, dirty dishes, old love, support for the arts, the kindness of strangers in the middle of Israel or right in our own backyard. There was rhyme, meter, heartbreaking bridges, expansive high notes and gorgeous gravy low notes in music, poetry and prose.

Although Kelley and I put everyone in an order we basically divined on the hoof, hoping it would work well, strange and magical juxtapositions ensued. Iris belted out a hysterically funny song about “cleaDSCN0931ning up my kitchen, getting rid of you,” only to be followed by Jerrye, singing a beautiful tune celebrating long-term marriage and family. Sandy’s poignant prose/poem on the needs of children growing up against the odds followed an invocation on a more generous vision in the form of one of Cindy’s songs. Each performance was a delight, brushed free of static and bursting with spirit whether the performer DSCN0872had only sung in the shower before or recorded CDs for years.

The joy in the audience and the participants plays forward in myriad ways we can only glimpse. Already, I’ve heard from participants about how they’re playing forward the gifts of what come when you open your voice – on the page, aloud, in community or alone – to find the words and sounds you’re meant to share with the world.

Back to the Bus: Everyday Magic, Day 679

I used to be a regular on the cross-country bus, my main mode of flinging myself the 1000-miles-plus between college in the Midwest and home in the east. Those long 24-hour stints started hopeful as the pattern for the silky 80′s dresses I made myself only to end up with a misshapen pancake in mauve.

Yesterday I revisited that habit of transit, not even four hours and the bus so much more comfortable than I remember with plugs for laptops I couldn’t have imagined when I was in my early 20s. The people around me were mostly the age I was, making easy conversation with strangers about six-credit classes that involved hands-on forestry or bands at a college a friend attends. A Romanian young man and his American girlfriend fell asleep, him leaning against the window, and she against me. A Chinese mother and her middle-aged daughter made constant and polite talk with a young woman who kept asking, “What’s the Chinese word for ‘I love you,’” and then practicing earnestly. “It rhymes with bank,” she’d say of the first syllable and the Chinese mother would nod encouragement only to be asked next, “What’s the Chinese word for ‘father’”?

Three decades ago, my bus trips landed me in intimate conversations with strangers. We would confess our secret loves and fears, laugh about the rolling adventure of the other characters on the bus, and watch each other’s stuff when one of us ran into a gas station for some Doritos. We also slept on and off, trying not to lean on each other. You haven’t truly seen America until you’ve been jolted awake, only to stumble out of the bus at 3 a.m. in Youngstown, Ohio in the middle of winter to make your way through the haze of relieved smokers toward a long line for a very dirty bathroom. Back on the bus, the sweet conversations and interesting characters, after the first 12 hours, turned into a toxic mix of boredom, sudden noises, irritated seatmates, junk-food headaches and constant discomfort. At the end of each bus trip, I would swear off buses forever again.

Back to the present, I had to move my spread out backpack, coat and ginger ale to make room for a young woman also traveling south in the dark. After working on our laptops in the dark, I couldn’t help but notice her line breaks looked at mine: short and variable. She was also spending a lot of time getting each line right. I waved my hand in front of her to get her to take out her earplugs. “You write poetry?” I asked. She did indeed. “I write poetry too,” I told her, and the conversation took wing. Probably around the same age I was when I was riding buses too often, she also writes in various genres and is learning about the universally dysfunctional world of university English departments. We promised to email, share some poems, and then I was at my destination, dragging a suitcase and carrying a backpack to the hotel. She was on toward Boston to work on a play with a friend.

A day later, getting onboard an airplane, I couldn’t help but, just a little, miss the bus. When my flight pointed its nose down toward its landing at LaGuardia, only to lift it up again and go off to Hartford, CT to sit on the tarmac for over two hours before heading back to LaGuardia, I started to actually ponder taking a long, storied and overwhelming bus ride all the way back to Kansas.

 

 

I Wanted An Enchilada, I Got a Prairie Fire: Everyday Magic, Day 676

DSCN0363Napping gingerly between checking Facebook and staring at the walls seemed the perfect way to spend this late afternoon, especially since I didn’t sleep enough last night, and I’m nursing a sinus infection with a crazy-long shelf life. Eventually, I would get awake enough to go out with Ken for enchiladas, particularly because I haven’t eaten Mexican food in close to 36 hours, so I was long overdue. Then Ken called from his way home, and everything changed.

DSCN0357Usually, we burn the prairie in early April, but because of drought-delayed prairie flower and grass planting, the planting is coming soon, and the ground needs to be prepared. Ken, Daniel and some friends tried to burn our field to the west in December but had to stop when the wind shifted and the fire starting heading toward our house (where I was blissfully frying latkes). This fire needed to be finished, and finally, the wind was right, the ground was dry enough but not too dry, and the time was short.DSCN0374

I didn’t feel like bundling up so I could strip down as I dragged fire through the cold, but it was the right thing to do because I live on this farm. Also, Ken drove me 2.5 hours each way to a reading last night as a favor, and so I kept my whining thoughts to myself.

Burning a prairie entails setting a back fire on one edge, and then another fire, which will run to toward the back fire, on the other. Dragging fire is a lot like winding spaghetti while running a marathon and dancing the fox trot.. You fork up a bunch of dried grass, wrap it around the pitchfork, and move fast enough to leave a steady trail of drops of fire. Only the pitchfork was broken, and some of the ground I was on was still damp, so I had to stoop down and zigzag as I made the back fire. It didn’t help when Ken took my pitchfork to give to Forest, who was dragging on the eastern edge.

Ken told me to do it his way: grab a big bunch of tall grass, light the edges, and then run, kindling grasses as I went. But I wasn’t so good at this, which required DSCN0356that a person move just fast enough to cover ground and just slow enough to set little fires. Plus, sometimes the fire would flare up and head toward me, and I’d have to throw the grass down and scream. I ended up doing a combination of Ken’s technique with shoveling bits of fire down the prairie.

Within an hour, it was time to stop, most of the field burned or on fire, and night falling (when it’s illegal to burn prairies, an unfortunate law). We stopped, watched the circles of flames, took each other’s pictures, and slowly made our way, ashes behind us, toward the house.

And now, as befits any reluctant fire-starter, the enchilada. As some Kenyans I met liked to say, “God is good.”

I Was President of the United States, and Jimmy Carter Was In My Living Room: Everyday Magic, Day 675

Then I woke up.

But while I was asleep, I had an adventure of the presidential sort. It turned out that, one day after throwing my hat in the next presidential election, I won. Right afterwards, I ran into Jimmy Carter, looking over organic vegetables at the Merc (our food co-op), and he was so glad to see me. Turns out we’re old friends. He asked if I’d like him to cone over and talk with me about this big change in my life, and of course, I agreed.

In no time, we were in my living room. Jimmy was so warm and loving, joking with me about how sudden it all was, and suggesting we have a little ex-president posse visit with me to help me prepare.

“The Bushes too?” I asked.

“Why not?” he replied.

I had always wanted to meet Obama (perhaps “meet him again” would be more accurate since I met him in a previous dream recently when I saved his life from a conspiring campaign aide), and I knew Clinton would be a blast to hang with, and so Jimmy and I talked over what I might prepare for dinner with everyone. I thought pot roast might be good, but it’s hard to know how small the brisket might turn out to be after putting it into the crockpot. You wouldn’t want to run out of meat when you have a table full of ex-presidents.

“I make a mean meatloaf,” I told Jimmy.

“Meatloaf, it is,” he replied.

I started to plot running to Checkers to get supplies whipped potatoes, and some cases of fizz water too, when it occurred to me that my life was about to change, perhaps more drastically than I wishes. A doom would be placed over me, and I wouldn’t be able to go shopping at the drop of a hat, secret service men would guard me at all hours, and strangely enough, there would be orange roses everywhere.

“Why orange roses?” I asked Jimmy.

“You had them as the symbol of your campaign. Do you like orange roses?”

“I can deal with them,” I answered. “But now I have to come up with policies on everything, and that will be majorly exhausting.”

“That’s why you need the meatloaf,” he answered. And he was right because Jimmy Carter just about always is.

A Diner Outside the Time-Space Continuum: Everyday Magic, Day 674

Coming home from the renga reading in Kansas City, we were a wee bit hungry, so we aimed ourselves toward a hole in the wall diner in midtown whose name shall secret. We stepped over the threshold, and that’s when we left reality as we know it.

First, a group ahead of us – three men and a woman – stopped in their tracks to yell out at friends of theirs already at a table. The friends leapt out of their seats, and we were blocked from going further. This should have been a sign, but unfortunately, we didn’t read it, and nosed our way to a booth.

Soup seemed like a safe bet, but I couldn’t find it on the menu, so I asked the waitress, a slim redhead who would probably fit, folded up, in my purse. “Whatever the menu says, we have it.” Upon further investigation, the menu said, “Please ask your server about our soup of the day.” A few back and forth exchanges later, we all puzzled out, the waitress and us, that there was soup indeed, and it was tortilla soup. Fair enough, and so Ken and I decided to split a bowl of tortilla soup and order one chicken enchilada a la carte.

Within a moment, almost too fast from our ordering time to delivery, the waitress placed three beat enchiladas and cup of soup in front of it. A cook came by, asked us how things were, and we explained the order mix-up. The soup stayed, the enchiladas left and then, as if a magical pulled an enchilada from her hat, the singular correct enchilada appeared within seconds of the wrong ones vanishing. The woman delivering it — one we hadn’t seen before — came out of a back room, and disappeared afterwards.

“This is pretty good food,” Ken said, digging into the soup.

“Compared to diner food?” I asked.

“No, it’s terrible compared to diner food.”

“So it’s pretty good food compared to horrible garbage you wouldn’t want to eat?”

“Exactly,” he told me.

Trying to pay, “La Bamba” blasting in the background and a female cop surveying the menu from her perch beside the register, we fell into a swamp of delays. Turns out we were charged too much for things we didn’t order, and soon the cook and waitress were in a corner, poring over the menu for clues. In the end, we were charged too little, but since our time in this alternative reality was up, we needed to skedaddle. We left a big tip, turned around, and found a $20 bill on the ground. We picked it up, gave it to a hostess who appeared out of nowhere. She tucked the money into a secret compartment of a small podium, and we stepped outside. Back to reality, or whatever we call it.

“It was like being trapped in a bad 80′s disco dinner,” Ken said.

“Or a science fiction version of a diner,” I added.

“That’s what made it the perfect place to go. We couldn’t have found a place better than here right now.”

“But we never have to go back, right?” He agreed, and we drove home.

What a Renga Can Do: Everyday Magic, Day 672

51RlYg6LntL._SL500_AA300_When we started the renga project, I had only an inkling that it was a way to bring people together and perhaps lift up each other during a time when the arts were under attack and underfunded in Kansas. At the time, I felt especially lost because of the poet laureate program had no home despite my efforts to find one, so looking for about 150 poets with connections to Kansas to join together was a welcome diversion. Because the renga, a traditional Japanese form, is a conversational poem, each poet needed to wait until the person before him/her wrote, and then jump in with no hesitation and add onto the conversation. It was an experiment, a notion, even a kind of whimsy when I DSCN0320posted the first entry, and hoped for the best. Each poet had to put him/herself on the creative edge, and see what happened just as I had had to simply relax on the edge where I was dangling since I couldn’t force solid ground to rise under my feet.

DSCN0290A year later, the renga has not only drawn in close to 150 poets, each one meeting his/her “renga at your door” deadline, but resulted in a beautifully-produced and artful book (thanks to mosaic artist Lora Jost, book cover designer Leah Sewell, and publisher/book interior artist Denise Low), and close to 15 readings stretching as far west as Garden City and as far east as over the border into Missouri (just barely, though, at The Writers Place on Feb. 1). In the last few weeks, our first batch of readings has shown me what a renga can do as one poet after another — at Watermark Books in Wichita and during Final Fridays in Lawrence — stood up in read in an unfurling singular poem that DSCN0324just happens to be 150 pages long and authored by 148 poets.

Hearing people read their sections aloud, I noticed all kinds of nuances and gestures in the language that I had missed when reading the poem parts as they were written (in our google doc), on the website when I posted them (on our website), and later in the book when I edited it. For example, I somehow how missed the beauty and double-meanings of “my mother’s delicate bones” in Susan Kraus’s part, and the loveliness of Megan Kaminski’s lines, “Each day begins deep in sod/streaming over flint, limestone” when I was so busy laying piece by piece of the poem into its whole.

A renga is both linear and like a mosaic, each section illuminating what’s around it but also adding something to the whole landscape of the poem. Now, however, I see what a mosaic in motion looks and sounds like when, at each reading, a different combination of 8 or 28 or however many poets reads, and one poet’s words now resonate with a poet perhaps 6 pages earlier or 22 pages later in the book (as well as a month earlier or 6 weeks later on the website). Time and space rearrange themselves each evening we gather.

Over a year after this project began, the arts are still in question (a new 9-month-old new agency is to distribute grants and create greater opportunities for the arts and artists, not much has happened yet). Yet the poet laureate program, which I carried in my pocket for so long, hoping to guide it to a new harbor, is now at home with the Kansas Humanities Council, and the call for a new poet laureate just went out. The renga, to my surprise, turned out not just to bring poets together — on the web, the page and in an assortment of rooms where we’ll be reading — but to sustain me in a time of confusion, doubt, fear and simply dwelling in not-knowing.

Throughout the last year to now has created a poetic mosaic that tells of this land and sky, and a conversation among poets that helped us hear one another despite how forces may have silenced or separated us. Long may the renga shine, and thanks to the renga for showing me a path.