Tag Archives: poet laureate

News of My Demise Is Greatly Exagerated: Everyday Magic, Day 389

Well, I’m still poet laureate, and as I’ve written before, I still plan to finish my term, which ends next July, and to pass on this post to another poet. Yet today in the paper, I read these words: “The NEA said a draft version of a Kansas plan for the commission’s future operation made reference to elimination of the state’s poet laureate program, arts management training and public receptions.” I figured this was the case from the cues I scoped out, like all the poet laureate pages disappearing from the KAC website and the new chair of the KAC, after one very polite phone call (I initiated) to find out about the status of my position, not returning any of my calls or emails. But still, sheesh! It is kind of a kick in the head.

Ken says I should tell people I’m the poet laureate in exile, taking refuge in the people of Kansas, which sounds lovely, but I wouldn’t want to compare my little plight to keep this position alive to what the Dalai Lama has on his shoulders. On the other hand, I have felt for months like I’ve been in limbo, operating on the cheer and goodwill of people around me and, at the same time, making plans to ferry the position toward a safe harbor (more on that later).

What bothers me is hearing the new powers-that-be “eliminated” the program as if that act should silence people like me, but poets aren’t known for easily being quieted down. The poet laureate program is not over, finished, buried or dead. To the contrary, my work as poet laureate is very much alive: In coming months, the anthology I’m editing — Begin Again: 150 Kansas Poems – will be published by Woodley Press, and I’m working with others to encourage dozens of readings around the state. The website the book is based on, www.150KansasPoems.wordpress.com, is popping out a new poem every few days (thanks to me pre-loading these poems from the thousands submitted). I’m giving readings, workshops, talks; writing occasional poems to present at whatever occasion I’m invited to; and doing all I can to represent the power of our words on the page and aloud.

So to paraphrase that famous Mark Twain quote, yes, news of my demise is highly inaccurate. I don’t feel eliminated at all (although I certainly mourn the loss of arts support for all of us in the arts in Kansas). Instead, I’m hopeful that all of our actions to lift up the arts in Kansas will one day restore state funding for the arts, and give back to our state more of who we are in image, sound, motion and other mediums. This is all another way of saying the goodness of the arts will outlive the evil of the day.

Poet Laureate Reports In To You!: Everyday Magic, Day 341

Each June, I put together an annual report on what I’ve done all year as poet laureate for the Kansas Arts Commission. Now that KAC doesn’t have a staff or funding, I’m reporting to all of you instead to help get out the word on poets laureate like me do throughout the country, and how we need to keep our Kansas poet laureate position, even after I finish my term in a little over a year. I’m also very interested in visiting more Kansas communities this coming year and doing whatever I can — since the KAC website no longer features a poet laureate page, you can contact me at CarynMirriamGoldberg@gmail.com if you’re interested in a reading, workshop, talk or collaborative program.

So here’s what I’ve worked on as poet laureate from July 1, 2010 through the present:

  • Organized Poet Laureati!: A National Convergence of Poets Laureate, held in Lawrence Mar. 12-13, featuring 20 poets laureate

    Ted Kooser & Jonathan Holden at Poet Laureati

    (from Alaska to Alabama), 130 participants from eight states, and a whole lot of ecstatic readings, discussions, panels, workshops and more on how poetry relates to place, society, health, creativity, work, and in short, life.

  • 150 Kansas Poems: Launched website featuring 150 Kansas poems over Kansas’ 150 birthday year, and edited Begin Again: 150 Kansas Poems, forthcoming from Woodley Press later this year.
  • An Endless Skyway: Poetry from the State Poets Laureate: edited with Marilyn L. Taylor, Denise Low and Walter Bargen this beautiful anthology includes poetry from close to 40 writers.
  • Occasional Poems for Special Events: The Kansas Susquicentennial, Governor’s Arts Awards, the Kansas City Peace at the Crossroads event, Lawrence Arts Center/940 Dance Company’s Dance Dialogues, the inauguration of Goddard College’s new president, and several funerals.
  • Writing: In addition to lots of poetry, I wrote prose as poet laureate: a preface to UN World Peace Congress proceedings, chapter on publishing poetry for Women and Poetry: Tips on Writing, Teaching and Publishing by Successful Women Poets (forthcoming from McFarland), “Mothers Lost and Found,” preface to Wisdom Has a Voice anthology. and “The Imaginary Friend of the Page,”
  • Presented readings, workshops and talks:
    • Colleges & Schools: Hutchinson Community College, University of Iowa, Johnson County Community College, Marysville High School, Valley Heights High School.
    • Turning Point: A Center for Hope and Healing in Kansas City — writing workshops for people living with serious illness and/or their caregivers, plus workshops for the metastatic cancer group.
    • Centers, Churches & Bookstores: Carnegie Arts Center in Dodge City, Koester House Museum (Marysville), Country Place Senior Living (Marysville), Waterville Opera House (with Kelley Hunt and Laura Ramberg), Marysville Public Library, Ecumenical Christian Ministries, Unitarian Universalist Fellowship of Manhattan, The Raven Bookstore, The Writers Place, Kalona Country Store (Iowa).
    • Judging: Poetry Out Loud!, Kansas Authors Club, National Federation of Music Clubs
    • Conferences: Presented workshops and readings at the Power of Words Conference in VT., and the Examined Life: Writing and the Art of Medicine conference in Iowa.
    • Brave Voice: Co-led with Kelley Hunt the 6-day Brave Voice: Writing & Singing for Your Life retreat in Council Grove.
  • News: Featured in several programs of KPR Presents, Poets & Writers Magazine, The Daily Palatte, Kansas City Star, and “Celebrate This Kansas,” Susquicentennial poem, was published in many state newspapers.

What territory I’ve covered this year comes from having wonderful guides in the form of splendid partner organizations in all the named places that invited me to come visit. What I do as poet laureate is similar to what so many of my fellow laureates do — read about them at http://unitedpoetslaureate.wordpress.com — and wherever you live, support the poet laureate program, which seeds the power of our words throughout and beyond the U.S.

Poet Laureati-ed: Everyday Magic, Days 234-235

Margery Wentworth (SC), Joyce Brinkman (IN) & Carolyn Kreiter-Foronda (VA)

I return to the world I knew before this event to find it slightly different. For one thing, the house is cleaner due to the mad rush of cleaning all last week so that we wouldn’t cringe at the spider webs on the ceiling while showing some poets laureate where they would be sleeping. For another, the sun is out, snow and rain are gone, and so are the poets laureate: the last having just left as the 19 of them sprinkle near and far in all directions. Some are home already, and some — like Peggy Shumaker and her wonderful husband, Joe, who will travel for two days to Alaska or like Lisa Starr, who may be on the long ferry from Rhode Island to her inn on Block Island — are still in process.

David Romtvedt (WY) & Denise Low (KS) talk with Ken

As for me, I alternate between horizontal and semi-horizontal (sitting in bed, typing or checking email, or simply dozing into surreal and buzzing snippets of dream). Graham Nash sings “I Am A Simple Man” on itunes, and I fee like a very simple woman listening to it. The squirrel waits on the branch to leap onto the bird feeder. The cat sleeps on a pile of blankets one of the poets used. The Christmas lights around the bedroom window droop across thumbtacks.

Karla Morton (TX) & Mary Crow (CO)

I’m not exactly sure what happened during these days, but I do know I hugged many people, swam with others in tandem through conversations about vocation and passion, healing and imagery, the hunger to find the right words, the necessity of listening to other, and where to find Thai food on Mass. Street. I watched audiences leaning forward, intent and awake. I heard all weather variations of poetry: sonnets about liberal arts, free verse on the damage fathers can do, elaborations on the danger of the hot dog man, and wry deconstructions of our need to be adored.

I also found friends for life: poets and poets laureate I just met, and yet they were instantly big brothers or long-lost cousins sharing a bag of ginger snaps with me late at night in the kitchen or duck spring rolls at a candlelit dinner yesterday. There will be radio broadcasts of portions of the event on Kansas and Kansas City Public Radio stations, and a video or two soon, but for now, this is what I know.

I also know whatever happened was, for me at least, extraordinary: made of

Walter Bargen (MO), Norbert & Katherine Krapf (IN)

running back and forth on my back deck near midnight, throwing snowballs and shovels of snow at each other; taking pictures of one another taking picture of one another; immersing myself in conversation with four women in the corner of Free State Brewery as we all ate big steak together; and squeezing into a car with poets laureate of five states to maneuver the weather of this state.

Thank you to everyone who came, listened, read, stayed, drove, fed, housed, asked questions of and provided answers for this gathering flock of blackbirds this weekend and the big sky we poured ourselves through on the way to each other.

Revisiting Dawn: Rita Dove and August Write For Your Life

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One thing abundantly clear in poetry is how much life continually gives us second chances to appreciate all that’s happening around us. If we don’t realize the whole sky is ours for the first few decades, or even first 60 years of our life, eventually, the speed of life — with its wild turns that change everything on a dime — will pause us somewhere, somehow so we can see how the riches around us shine 24/7.

August especially is a second-chance month with another chance to really experience summer, to notice what heat and wind can do to a person, and to long for the return of temperatures in daylight below 90. It’s a time of both abundance (especially this jungle year of rain and sun) and exhaustion, vacations and returning back to daily life, too much heat and then the surprise of sudden storms. It’s an especially good time to wake early and see what the dawn has to say to us when revisted, such as what Rita Dove writes about in “Dawn Revisited.”

Rita Dove 2010 Rita Dove, poet laureate of the United States from 1993-95 is the author of many volumes of poetry, short stories, essays, and a novel and play, including Thomas and Beulah (1986), Grace Notes (1989), Mother Love (1995), On the Bus with Rosa Parks (1999), American Smooth (2004), Fifth Sunday (1985), and The Poet’s World (1995). She’s Commonweath Professor of English at the University of Virginia in Charlottsville, and has won many honors.

In “Dawn Revisited,” Dove invites us to revisit the ordinary moments in our lives that hold extraordinary possibilities, and to see what we usually see — a blue jay outside, the sunlight, even the people we cohabitate with regularly — as new and holding vast and fresh understandings for us all the time. Listen and imagine:

Dawn Revisited

Imagine you wake up

with a second chance: The blue jay

hawks his pretty wares

and the oak still stands, spreading

glorious shade. If you don’t look back,

the future never happens.

How good to rise in sunlight,

in the prodigal smell of biscuits—

eggs and sausage on the grill. The whole sky is yours

to write on, blown open

to a blank page. Come on,

shake a leg! You’ll never know

who’s down there, frying those eggs,

if you don’t get up and see.

–Rita Dove

from On the Bus with Rosa Parks

In this month’s Write From Your Life, write about what you see, smell, hear, taste and can even touch right now as if you’re seeing it for the first time which, if you look closely enough, you’ll realize is completely true. Write about Dawn Revisited, Mid-Morning Revisited, Noon Revisited, Afternoon Revisited, even Night Revisited, and let the blank page or screen before you help you shake a leg and discover what this moment has to say to you.

Let Poetry Ignite Your Life: National Poetry Month

April is National Poetry Month and Kansans can celebrate by participating in the To the Stars Poetry Contest and the new Poetry Pen Pal Project. The activities are facilitated by Poet Laureate of Kansas Caryn Mirriam-Goldberg.

The weekly poetry contest features Kansas poets from To the Stars: The Ad Astra Poetry Project. To compete, writers must submit a poem (or poems) based on the week’s given theme. The first week’s theme is Rivers of Our Lives by Langston Hughes.

The new Poetry Pen Pal Project is designed to help writers better support and work in greater connection with each other. The project matches writers to share, revise and strengthen, and witness one another’s poetry. To learn more, please visit the Kansas Arts Commission page on this project, and fill out the participant form.

United Poets Laureate Comes Out of Poet Laureati

So what does happen when you mix a bunch of poets laureate in the wilds of Kansas on the Ides of March? We found out last weekend when we brought together Marilyn L. Taylor (poet laureate of Wisconsin), Mary Swander (poet laureate of Iowa), Walter Bargen (past poet larueate of Missouri), Jonathan Holden and Denise Low (past poets laureate of Kansas), and me, the present poet laureate of Kansas. The reading we gave together at the Spencer Museum of Art drew together over 85 people, some of whom drove long distances to be there.

The reading was joyous, funny, moving, surprising, and it proved something I’ve believed for a long time: if you haven’t found a poem you like, you just haven’t read enough poetry. Walter Bargen read poems full of local and universal nuance and quirks of humor and grace. Mary Swander began with banjo music, some old-time singing, and then led us into the world she created in The Girls On the Roof, her book of poetic monologues that tell the story of a community overcome by a flood. Marilyn Taylor told us she was a formalist, so she “plays in a box,” then dazzled us with a crown of sonnets on the very liberal arts. Jonathan Holden showed us how poetry can capture the sound and many layers of meaning of the sound of the meadowlark. Denise Low, in response to Mary Swander reading poems about Missouri, and Walter Bargen joking that he meant to read a poem about Iowa in revenge, read poems about Iowa, Missouri, Wisconsin and Kansas. And I read poetry from my new book, Landed, about place, time, body and earth.

That evening, we had a little poet laureate dinner, sharing stories both moving and strange, and the next day, we met for a long breakfast before exploring downtown in time for Lunch Laureati: Brown Bag It With the Poets Laureate. At this event, held at the Lawrence Arts, we had a lovely discussion with participants about the writing life, artistic process, how and why we write, and ways we keep the writing alive.

Meeting more during the afternoon and evening, we started dreaming up what comes next, and this is it so far: the United Poets Laureate having a convergence same place, same time next year, but this time with poets laureate from throughout the country invited. We also are planning to edit a collection of poetry by poets laureate, to be published in 2011. For more, check out our spanking new website.

Photos from top: The reading at the Spencer, Marilyn Taylor, Walter Bargen, Mary Swander

Press Release for Book Launch and Poet Laureati Party

Come to the Lawrence Arts Center at 7:30 p.m., July 1 for the following event. Denise moves out of the poet’s mansion that night, and I move in (I hear it has a hot tub, but then again, I hear it’s an outhouse). Drop on by for a wonderful time.

The Committee on Imagination & Place announces the first publication of the Imagination & Place Press, Imagination & Place: An Anthology. This eclectic collection features poems, essays, and fiction by writers from coast to coast, broadening the conversation about place and its relation to the natural world and human culture.

Also, July 1, 2009, is the first day of the two-year term of the recently named third Kansas Poet Laureate Caryn Mirriam-Goldberg and represents the conclusion of the term of the second Kansas Poet Laureate Denise Low. Both Mirriam-Goldberg and Low are members of the Committee on Imagination & Place and from Lawrence.

Consequently, the public is warmly invited to attend a combined celebration taking place on July 1, launching the anthology and paying tribute to Mirriam-Goldberg and Low. The event will occur at 7:30 p.m. at the Lawrence Arts Center, 940 New Hampshire, Lawrence, Kansas.

Admission to the event is the purchase of a copy of Imagination & Place: An Anthology per household. The books will be available at the door for $12.95 each plus tax.

A booksigning and readings by area contributors to the anthology, as well as readings by Mirriam-Goldberg and Low will make up the July 1 program. A poem by Mirriam-Goldberg is included in the anthology; Low serves on the Imagination & Place Press editorial team. Books by Mirriam-Goldberg and Low will be offered for sale as well. A reception will follow.

About her position as 2007-2009 Kansas Poet Laureate, Low said, “As a new poet laureate, I planned to make appearances and to create a series of electronic poetry broadsides to disseminate to poets, arts organizations, libraries, and publications. I did not expect to take on such a broad role as an ambassador for poetry to colleges, arts centers, libraries, social service organizations, and churches. I spoke on radio and television shows. I judged contests and ran my own series of contests for Poetry Month. In this time I discovered the profound hunger Kansans have for high-level communication. Poetry is not an easy art form, as it requires concentration, skill, logic, and heart. It is the most intense form of literacy. I appreciate the chance to be part of the Kansas Arts Commission-sponsored effort to bring arts into daily lives of my fellow citizens.”

On becoming the 2009-2011 Kansas Poet Laureate, Mirriam-Goldberg said, “Over many years teaching and leading writing workshops in communities throughout Kansas and the U.S. and Mexico, I’ve continually witnessed how powerful our stories and writing can be when we speak in our own words and tell our own truths. My Poet Laureate project — “Poetry Across Kansas: Reading and Writing Our Way Home” — offers communities opportunities for not just readings and writing workshops, but support for ongoing writing circles facilitated by local writers, teachers, artists and community members. Building on the good work of our first two Poets Laureate, Denise Low and Jonathan Holden, I’m also bringing communities writing prompts based on the poetry of Kansas writers featured on the website Holden started and Low’s Ad Astra project, which also, in turn, helps the people of our state get to know the poetry of our state, and how such poetry can help us see where we live and how to live with new eyes.”

"I’m Sorry" and "Congratulations": Death and Poetry

All week, I’ve experienced a juxtaposition of “I’m so sorry for your loss” and “Congratulations!” side by side, sometimes even simultaneously, like at my father-in-law’s funeral when one person gave me a copy of the small article on me being named poet laureate in the Kansas City Star while someone else offered his condolences. The cards and notes that come in the mail and the emails I download offer me the same mixed message, which seems to add up something my brain hears as, “Mazel Tov! And remember, life sucks” or “This too shall pass, so don’t get too excited about any of it.”

Perhaps what’s most odd about it all is that I can’t tell by the face of whoever is approaching which message will pop out. I’m sitting at my computer at a coffee shop, a man behind me turns around, taps me on the shoulder, and says, “Sorry to hear about your father-in-law, and please give Ken my best” or a woman I don’t know on the street passes by and yells over her shoulder, “Great to see you in the paper.”

For years we’ve dreaded the loss of Gene, and for years, I yearned for some recognition and a lot of readers, compounded by the piles of rejection slips, and years spent shepherding books to publication. No surprise that now, during a very good year indeed as a writer, the void left by Gene is like the Grand Canyon compared to the little ant hill of successes. This is not to say that I don’t appreciate being congratulated, the forthcoming publication of books, and the quiet calm of being seen alongside the hard-won peace of feeling good in my writer’s skin.

Meanwhile, there’s the Grand Canyon behind my shoulder, a place I peer into and, just like the actual Grand Canyon, can’t see to the bottom of it all. My father-in-law, although he used to tease me that “how could this be poetry when it doesn’t rhyme?” — even while he stapled together copies of my chapbook for six hours one day — never issued even the vaguest rejection slip or “this doesn’t quite suit our needs at this moment” messages. In the almost 26 years I knew him, he accepted me always, helped when I asked, tried not to impose when he needed help, and probably served me hundreds of tacos, dozens of roast beef dinners, and a whole lot of bowls of hamburger soup. Despite the reality that since his heart surgery four years ago, and his seizures two years ago, he had lost a lot of short-term memory, mobility, strength and lung capacity — and he was leaving this life a little bit at a time — his death is still unfathomable to me.

Yesterday, lying in corpse pose at the end of yoga class, I saw him in his oversized red woolen cap and 30-year-old gray coveralls, just coming in from chopping wood and happy to stand close to the fire place. He was always cold, and it broke his heart a little when he could no longer run that blower connected to his fireplace when he went on oxygen. In a strange way, it’s as odd that he grew so old and fragile as it is that he died. Diagnosed with rheumatic fever during WWII, he tinkered on the brink of serious illness and regular life for over 60 years, and now that he’s gone, I am sorry for his loss, but I could almost congratulate him for leaving behind years of illness, pain, and discomfort.

But since he’s gone, and I can’t tell him anything directly, I just share this poetry — which doesn’t rhyme, but I think he would be okay with it anyway:

In the End, There Is Only Kindness

for Gene
February 19, 1925 – February 10, 2009

When the floor slips and the time comes,
when interventions falter, there is only kindness,
a lantern to hold at journey’s end, then hand over
so someone else can lift the light enough
to illuminate where to step next, and how.

In this kindness, there are always stories:
Telling the checker who rang up his milk twice,
don’t worry, everyone makes mistakes.
His long wait among aging magazines at the VA
so a homeless vet could get his medication.
Gravel on our walkway because he didn’t want
us slipping when we brought home the new baby.
The vase of roses he left on my kitchen table
and for Alice because roses were on sale.
Jokes about being old and decrepit while he
cooked everyone dinner. How he power-rocked
the babies to sleep, his heart beating through theirs.
Christmas stockings and grandchildren to wake up early,
coins to collect for each one. Oxygen in one hand,
a cane in the other so he could see a grandchild
in orchestra or band, graduation or swim meet
even when his back and memory hurt.
The dishes or long drives, reaching for the check,
and taking the time to greet the stranger eating alone.
Only kindness matters in the circle of love
he made out of this world.

In the end, there is always the beginning,
a seamless turn from here to there
even if everything is different from
the irreplaceable loss shining and aching at once,
a kind of river running alongside our lives,
or weather reminding us that
we love, were loved by a man here only
for kindness, which is not just a kind of love
but the only love there is.

– Caryn