Tag Archives: Poetry

Where I’ve Been: Cheating On You With Another Blog: Everyday Magic, Day 533

Please forgive me. I’ve been writing on another blog behind your back this week, but truly, this blog means nothing to me compared to you! I was just using it for the words, and besides, I brought those words home to share with you.

The blog I’m guest-editing this week is the wonderful She Writes, a fabulous resource for women who write with lots of resources, tips, inspiration, practical notions and magical imaginings for anyone (not just women) who writes.

Here’s what I’ve been writing behind your back:

I’m also happy to feature Kansas writer Cheryl Unruh’s post, “The Journey,” a lively and moving account of how she went from a dream of a book to a book come true.

So come visit me at the lovely little b & b of www.SheWrites.com, and I promise to return home to you come the weekend, refreshed and ready to talk about something other than the writing life (such as the life worth writing about).

After the Storm, the Stars: Everyday Magic, Day 335

Another poem inspired by Stephen Locke’s photographs, this one taken after the tornadoes in Oklahoma last week.

After the Storm, the Stars

rise from the Osage Orange, wheeling effortlessly overhead as if

nothing has changed. They shine awake in the fresh open heart of the air,

cleansed free of all but the wind without end that lashes leaves against leaves.

Meanwhile, the rays of remnant clouds burn translucent, then invisible.

The exposed dirt ages in the wind. A slat from a child’s doll cradle grows into

the grass. Paper from two towns away lifts to ferry important words nowhere.

The sky exhales, waits, surges then drops to the disturbed ridge where flowers

rock upside, the rocks from elsewhere dream of the old days, and in the off and on

cadence of distant train whistles someone’s cries come staccaco to this night

wrapped in shimmer and quiet. Tomorrow, not so far from here, there will be

search dogs and careful lifting of sheetrock and broken furniture, then

bulldozers and power saws, rented U-hauls to save, then clear, whatever is left.

Months ahead to measure what was lost, articulate what the weather can do

in numbers and even more, read the brail of the stories left behind. The new world

not conjured arrives here anyway, and over this sprawling tree of life, the stars.

How Many Poets Laureate Does It Take To Screw In A Lightbulb?: Everyday Magic, Day 229

We’ll find out very soon because starting this weekend, the poets are coming: 20 poets laureate from Alabama to Alaska, and South Carolina to Colorado. As anyone who knows me surely knows by now, for better or worse, I’m the main organizer of Poet Laureati: A National Convergence of Poets Laureate, happening in my hometown of Lawrence, KS. Sun-Mon., March 13-14. For about a year, I’ve been churning out emails, fielding calls, building webpages and badgering all of my facebook friends about this event, all in an effort to make something out of nothing.

Ted Kooser, who is donating his time to read at our event. Thanks, Ted!

By nothing, I simply mean “no money,” and by something, I mean an event that has some kind of meaning for those of us reading, speaking, listening or hanging out within the swirl of readings, workshops, receptions and visits. We tried to find funding, but everywhere we looked, the cupboards were bare. So what was to be had to spun out of air, and spun out of air it was. Thanks to lots of local sponsors who donated making and distributing posters, featuring us on their websites, airing us on the radio (Thanks, K

PR!), sending us information to their members and customers, we succeeded thus far financially — meaning we raised enough $ to give the poets laureate coming at least a very small stipend to cover part of their travel expenses — and it looks like we’ll succeed when it comes to imagination, inspiration and invention.

Karla Morton, one of the state poets laureate coming. Guess what state.

We also ended up editing and having published (Thanks, Ice Cube Books!), an anthology — An Endless Skyway: Poetry from the State Poets Laureate of America, which will be launched at this event.

Now that it’s all upon me, it’s hard to believe that about a year ago, some of us Midwest poets laureate sat at a table at Tellers, conjuring up an event and a book, but also reminding ourselves that it might be too much to do both or either. Yet here it is: poetry on the hoof and wing, aiming itself toward Lawrence, and ready to land soon.

 

Two Links That Converge In My Heart

I want to share two links that seemingly may seem different — one is a poem about February – or more precisely, our little blizzard yesterday — published by the good people at The Kansas City Star who dropped me a line yesterday to ask if I might write something about our significant weather event.

The other is a link to an interview my boss, Ruth Farmer, gave to The Magazine of Yoga about real learning, the importance of skepticism and trusting the process, tinkering and leading, progressive education, and what all we do at Goddard College in terms of holding the space for people to ask their most relevant questions and quest toward answers. See Part 1 here, and Part 2 here. (And learn more about Goddard here).

Finding our questions, quests and poetic ways of holding and seeing what life gives us echoes at the edge of what I know and don’t know, leading me into teaching and writing. And so, I share these connections with you — enjoy!

Why the Arts Matter: Everyday Magic, Day 181

The arts matter because when I felt all out of sorts this morning, my itunes suddenly started playing a beautiful Swedish waltz that brought me home to myself, calmed my frenzied mind and opened my heart.

The arts matter because the paintings of Paul Hotvedt, photographs of Jerry Sipe, paintings of Joan Foth and so much other visual art showed me how to see the earth and sky.

The arts matter because a child in a fifth grade class who didn’t think she was good at anything discovered one day that she was good at writing poetry, making me remember how I discovered the same thing when I was in tenth grade.

The arts matter because my friend rose from her chair at the dance symposium and started dancing to illustrate how dance belongs to all of us, showing us what it means to live in, to be a body with its own grace and beauty despite age and change.

The arts matter because an elder woman with her walker managed to get down the long hall and sit at the round table where, writing about her first kiss 60 years earlier, she rose above the pain she had felt lately, and lifted us with her.

The arts matter because an old friend just sent me a poem she wrote, the first in years, to convey the depth of feeling she had about what stories of her life are held in a specific old house.

The arts matter because Eileen Stewart, a self-appointed angel in New York’s Greenwich Village, cared enough about theater that she started LaMaMa theater, and then made costumes, promoted shows and even swept the stairs to bring us the likes of Sam Shepherd, Harvey Fierstein and many other theater greats.

The arts matter because a woman living out her last months with lung cancer could dress herself in something bright and come to a writing workshop, where she was able to put into words her life’s most precious stories for her family.

The arts matter because tonight I heard a young man stand up and read something he wrote that helped us all understand what mourning as a community means.

The arts matter because when it comes to learning to speak civilly with each other, shorten distances between polarized communities, and find a common vision, there’s no stronger bridge when the one made of art: a song, a painting, a shared experience mediated through the lens of the arts, gives us new language, courage and understanding of how to listen to each other.

The arts matter because tonight we sang our prayers for Friday night services, knowing what the Talmud affirms: singing way doubles the power of prayer.

The arts matter because the world in day or night, summer heat or winter ice, is so expansively mysterious and powerful that we need all the help we can get to open up our wide vision and see — through music, writing, art, dance, theater, and other arts — what it means to be alive.

Winterizing Myself: Everyday Magic, Day 136

I found the ultimate zebra-print pajamas at Goodwill, completing my safari winterization outfit, and moreover, allowing me to mix stripes with spots. Given how the first cold nights are moseying on in, interspersed with occasional bouts of 50s temperatured afternoons, it makes sense to mix mammals. Last night, on my way to a wonderful poetry and essay reading with Kevin Rabas (poetry, and really fabulous stuff — check out his award-winning book Lisa’s Flying Electric Piano) and Cheryl Unruh (essays — new book, Flyover People: Life on the Ground in a Rectangular State), I felt that first blast and tweak of deep cold. It was the kind of cold that Cheryl spoke to so well in one of her essays, explaining how it finds every part of us, sneaking up pant legs, and between coat and hat on the back of our necks. Having come through the most slow-motion fall I’ve ever experienced (some of the trees downtown STILL have green leaves, not feathered with Christmas lights), it’s a relief to land in these first throes of winter, knowing what will come next but not how or when it will come. Meanwhile, I have my zebra and leopard flannel and fleece, and all is well in this house.

The Dead Poet Society Lives!: Everyday Magic, Day 43

I just got an email from Walter Skold, head of the Dead Poets Society of America, letting me know about a new literary holiday meant to honor and remember our dead poets, known and unknown. The festive occasion is Oct. 7, and it’s endorsed by a bunch of us poets laureates of various states.

Skold writes, “Frankly, it is an idea that is past due; our culture does not give due recognition to the hundreds of past poets who sang their hearts out and contributed such wealth to our cultural commons. Please join in the fun and help create a new, literary, living tradition.” How can we create this new tradition? Well, organize readings, or just stand on a chair in the middle of your living room and read some of the great works of Walt Whitman, Emily Dickinson, or your great aunt Leonora who wrote poetry in secret. As for me, I’ll be telling folks about this holiday from the readings and workshops I’ll be doing that day in Marshall County, Kansas.

Long live the dead poets! Long may we sing of those known and unknown to changed our lives with their words.

Revisiting Dawn: Rita Dove and August Write For Your Life

Listen to a podcast of this column!

One thing abundantly clear in poetry is how much life continually gives us second chances to appreciate all that’s happening around us. If we don’t realize the whole sky is ours for the first few decades, or even first 60 years of our life, eventually, the speed of life — with its wild turns that change everything on a dime — will pause us somewhere, somehow so we can see how the riches around us shine 24/7.

August especially is a second-chance month with another chance to really experience summer, to notice what heat and wind can do to a person, and to long for the return of temperatures in daylight below 90. It’s a time of both abundance (especially this jungle year of rain and sun) and exhaustion, vacations and returning back to daily life, too much heat and then the surprise of sudden storms. It’s an especially good time to wake early and see what the dawn has to say to us when revisted, such as what Rita Dove writes about in “Dawn Revisited.”

Rita Dove 2010 Rita Dove, poet laureate of the United States from 1993-95 is the author of many volumes of poetry, short stories, essays, and a novel and play, including Thomas and Beulah (1986), Grace Notes (1989), Mother Love (1995), On the Bus with Rosa Parks (1999), American Smooth (2004), Fifth Sunday (1985), and The Poet’s World (1995). She’s Commonweath Professor of English at the University of Virginia in Charlottsville, and has won many honors.

In “Dawn Revisited,” Dove invites us to revisit the ordinary moments in our lives that hold extraordinary possibilities, and to see what we usually see — a blue jay outside, the sunlight, even the people we cohabitate with regularly — as new and holding vast and fresh understandings for us all the time. Listen and imagine:

Dawn Revisited

Imagine you wake up

with a second chance: The blue jay

hawks his pretty wares

and the oak still stands, spreading

glorious shade. If you don’t look back,

the future never happens.

How good to rise in sunlight,

in the prodigal smell of biscuits—

eggs and sausage on the grill. The whole sky is yours

to write on, blown open

to a blank page. Come on,

shake a leg! You’ll never know

who’s down there, frying those eggs,

if you don’t get up and see.

–Rita Dove

from On the Bus with Rosa Parks

In this month’s Write From Your Life, write about what you see, smell, hear, taste and can even touch right now as if you’re seeing it for the first time which, if you look closely enough, you’ll realize is completely true. Write about Dawn Revisited, Mid-Morning Revisited, Noon Revisited, Afternoon Revisited, even Night Revisited, and let the blank page or screen before you help you shake a leg and discover what this moment has to say to you.

Mark is Gone: Everyday Magic, Day Nine

“hard to write this    Mark Larson died    blood clot after surgery     tears  db” — that’s what the email said, coming from my friend Danny to the Kansas Area Watershed Council listserv at noon today. I was sitting at Signs of Life, in the middle of a serious multi-tasking frenzy, when I was stopped stunned in my tracks. I did the only thing I could think to do: pack up, walk to the car, and drive to Danny’s so we could look at each other and ask how this happened, how this could happen.

I met Mark over 28 years ago through KAW and he’s been a steady part of my life ever since. Mark and I ran with the same pack to and through potlucks, campouts, presentations, workshops, protest marches, heart-to-hearts and more potlucks. We sometimes had a complicated friendship in the early days — seems my New Yorker sometimes hard-hearted 20-something-year-old self clashed easily with his farmboy-quiet-sensitive 40-something-year-old self. Once we even tried to share a house — he wanted companionship, and I needed a roommate. It was a disaster, but at least a short-lived one, and time is a great equalizer.

We connected mainly through bioregionalim, poetry, and occasional forays into rich desserts. He knew our children from birth onward, and although they scared him at times (scared me, too), he gave them enough benefit of a doubt to enjoy good talks with them every so often. He even knew our families of origin. In  recent years, Mark was always at any party, bat mitzvah, graduation celebration, walkabout and whatever else we hosted, and occasionally, he even dropped by on a Saturday morning to sit in our living room and visit. What I liked most about conversations with him is how he often used the phrase, “Say,” as in “Say, did you happen to see….” I find that phrase as charming as “right as rain.” Mark was kind of like a relative — a cousin who lived in the same town. I’ve had his phone number memorized for close to three decades.

Eventually, all the veils are lifted, and we start to see glimmers of who we are beneath who we think we are or the other is. Mark loved gardening, writing and reading poetry, studying nature, working for justice, being heard and helping others hear, and his little dog, Felix. He was frugal to the point of outrageousness, dogged about standing up for those with no voice, and steady presence in many groups and many circles. He could sit through meetings with the best of them and put together potluck dishes from the garden and what he salvaged. Although a relatively quiet person, he thrived on being around people and being involved in the community.

While it’s obvious at this moment how much I took for granted that Mark would be around for a long time longer, it’s also obvious how little we can see who will die when and how. Mark was probably about 77 or 78, but seemed younger. He was pretty healthy, walked a lot and wanted to walk more — which is what led him to the hospital to get his second knee replaced on Monday. No way of knowing that on Tuesday a blood clot loosened by the surgery would cause him to have a heart attack and die.

Meanwhile, my child-mind struggles with its little explanations of “Why do people keep dying?” while my elder-mind answers, “Because this is what life does.” I stared mindlessly into space, mis-hear “meth addicts” as “methodists,” eat too much or too little, can’t work or can’t stop working, all as ways to cope with what I can’t fathom. Mark is gone. And he won’t be back.

Photos: All are on my computer from years of knowing Mark. Bottom photo is most recent: Mark at Natalie’s graduation party in May, 2010, talking with Gary.

The Dishes After the Fireworks: July Write From Your Life

Listen to a podcast of this column and of June’s Write from Your Life!

There’s the nights of fireworks, and the days of dishes, or to paraphrase Jack Kornfield’s book, After the Ecstasy, the Laundry. Yet we can find peace, insight and even joy sometimes in the mundane and ordinary, the expected tasks that compose our lives, particularly when we open our eyes to the unexpected, which is always and near.

This month’s featured poet Kevin Rabas is a Kansas writer who co-directs the creative writing program at Emporia State University, co-edits Flint Hills Review, and has two books of poetry out –

Bird’s Horn and Other Poems (Coal City Review Press) and Lisa’s Flying Electric Piano (Woodley Press). He is a winner of the Langston Hughes award for poetry. Kevin’s poetry, while very musical — and that’s no surprise considering Kevin is both a musican and a jazz poet who often does readings with jazz musicians in the tradition of Langston Hughes, another Kansas writer, and Charles Mingus — he can write in ways that hold up the obvious and shake the magic out from it for us to see.

In Kevin’s poem, “Clothes Left in the Washer,” you can hear the rhythm of the repetition as well as see images that convey longing, passion and a little bird of mystery too:

Clothes Left in Washer

I’d go at once to meet you,

only I’d check

my eyes in the mirror

to make certain they pierced,

to make certain they could go absolutely cool—

as smoke, as brushes on drum head,

as breathy ballad,

or in the way John Coltrane

played the tune Naima

for her for the last time.

Red dress,

frog-buttoned in back,

geisha dress

that stopped your rival’s wedding,

dress that kept you

from being invited to mine;

red dress,

I forgive, I invite you.

Parade on in.

Hold every curve

as a hand would.

Palm and lift up.

As you pass, know I will remember

that last hot bath you ran me,

when I returned

through the thunderstorm

for the clothes we left

in your apartment’s quarter washer,

that afternoon when you told me:

You can stay. We can love.

– Kevin Rabas

For this month’s Write from Your Life, use Kevin’s poem as a guide to how the ordinary holds within its grasp the extraordinary. Write about something very regular that happens in your home, such as clothes left in a washer, dishes in the sink, a porch needing to be swept, or a garden wanting weeding. Or try another angle by writing from the point-of-view of a piece of clothing and letting its story come through.

Listen to some of Kevin’s poetry to music and consider buying his CD here.

Listen to a podcast of this column and of June’s Write from Your Life!